Monday, August 29, 2005
The art tradition of house painting or traditional house decoration is common among the numerous cultures of North and sub Saharan Africa. The Ndebele, Mbari and Basotho people of South Africa produce one of the most beautifully painted houses by using bright colours and patterned ornamentation.
According to an excerpt from a webpage of the Eastern Illinois
University "...Ndebele painted houses are a "tradition" that is barely more than 50 years old, although there appears to be an earlier practice of painting house walls with earth-toned colors and an even earlier practice than that of decorating walls by scratching patterns into the wet plaster with one's fingers.
The earlier patterns are believed, unlike the more recent painted patterns, to have sacred powers and to have been made in response to demands by the ancestors...”
Photo Courtesy of Kristen Elsby (a.k.a Lil) and Kodia
Thursday, August 25, 2005
Imagine building a wall out of blocks made from just soil and cement that interlock with each other and require no mortar. Reducing construction costs through the use of soil-cement blocks is a growing trend in Africa where the cost of cement is prohibitive. Hydraform founded by Jochen Kofahl and Robert Plattner is the leading company in this field:
"...The Hydraform building system replaces conventional bricks and mortar through the use of Hydraform blocks, which are largely dry-stacked. The other components of the conventional building system remain unchanged..."
"...The blocks are manufactured by hydraulically compressing a soil-cement mixture in the Hydraform block making machine. Since the production of the first Hydraform block in 1988, the design has become more sophisticated and the efficiency and capacity of the Hydraform block making machine has been increased dramatically..."
Monday, August 22, 2005
Located in the Rukinga Wildlife Sanctuary the ecofactory is constructed mainly out of rammed earth a result of a Wildlife Works collaboration with Rammed Earth works to "..train a construction crew and contractor for a master-planned sewing facility located within a private game sanctuary on the Rukinga Ranch near Voi Town.."
"...To build the EcoFactory's two buildings, we employed 150 local people for two years. We chose a novel and very environmentally friendly construction technique known as Rammed Earth, and our construction team learned the skill of building thick, rammed-earth walls that keep the temperature constant and cool inside, no matter how hot it gets outside.
The beauty of this eco-friendly solution is that it uses mostly soil from the site and doesn't require any wood in construction of the walls, demand for which puts more pressure on the already depleted forests in Kenya.."
Sunday, August 21, 2005
Timbuktu chronicles covers Moladi "a South African Company has developed a one-step casting process for the erection of homes,"...Simply cast a whole house in a day, employing unskilled labour,reducing time, waste and cost. Eliminating chasing for plumbing and electrical pipe work, plastering and beam filling.
Resulting in a wall stronger than brick. A cost effective, holistic design and build technology, that far outweighs poorly
designed costly concrete-block and masonry structures..."
Saturday, August 20, 2005
Saija Hollmén, Jenni Reuter and Helena Sandman the trio behind the women’s centre in Rufisque, Senegal
"...The women’s centre in Rufisque, Senegal is remarkable in many ways. Designed by a trio of young Finnish architects: Saija Hollmén, Jenni Reuter and Helena Sandman, it uses locally tested construction methods, combines them with recycled materials and reinterprets traditional planning configurations. But the complex has not just provided a new social and training facility, its creation has been influential on the lives of everyone involved, Senegalese and Finns alike. It is an important step in the development of the recognition of women in this West African country..."
Anne Anstruther said ".‘A house to under to baobab tree’, the centers is modelled on traditional compounds in this part of West Africa, with to strong to perimeter surrounding buildings turned inwards to to communal court. The baobab is one of the few trees left in an area that is starved of wood. Main It shades one of the two entrances to the complex, to gateway that leads to the communal hall.
The to other public entrance is on the north-west to corner of the compound. Here is an attempt to make to small public square, on to which the centre’s shop and restaurant open. The attempt is fine – what’s needed is response from the surrounding owners of the congregation buildings, who think they cannot afford to give under much ace to metre of to their land to the public realm..."
This project is also covered in detail at webpages of Cecilia María Martínez Zambrano
Wednesday, August 17, 2005
"An architecture student in Berlin, took upon himself the cause of ensuring that his village would not be deprived of a school, and with a group of friends in Germany, Kéré set up a fund-raising association, Schulbausteine für Gando
Bricks for the Gando School. The idea met with a positive response and, having secured finance through the association, Kéré also obtained the support of LOCOMAT (a government agency in Burkina Faso) to train brickmakers in the technique of working with compressed stabilized earth. The project is a recipient of the Aga Khan Award for Architecture, Ninth Award Cycle, 2002 - 2004."
He says " My presence in Europe has allowed me to look further beyond the horizon than most of my compatriots. Among other things I have realized that school education and training are the basis of any social, professional and economic development."
"The idea is to adapt traditionally temporary clay building methods to produce long-term, climatically high quality results by modifying materials and construction principles."
Tuesday, August 16, 2005
Standing like a majestic termite mound in the city of Timbuktu, the Timbuktu Mosque stands out as one of the most sophisticated ancient mud structures in the world.
A report in the Guardian says"...The mosque is built on a platform of regular sun-dried mud bricks. The walls are between 16 and 24 inches thick. These allow the interior of the mosque, the world's biggest mud building, to stay cool throughout the day, which is some achievement considering that, outdoors, summer temperatures reach 50C. The palm beams sticking out from the walls serve as structural supports and as permanent scaffolding to bear timber platforms used for repairing and replastering the building with a mix of mud and rice husks each year.”
“What these magnificent mosques prove is that mud buildings can be far more sophisticated than many people living in a world of concrete and steel might want to believe. Mud is not just a material for shaping pots, but for temples, palaces and even, as so many west African towns demonstrate, the framing of entire communities. The very fluidity, or viscosity, of the material allows the architects who use it to create dynamic and sensual forms..."
These buildings are not only technological marvels when it comes to their thermal properties but are also very eco friendly because they are made from mud, straw and cow dung biodegradable and recyclable materials.
The renaissance of sustainable, affordable eco friendly building materials like mud, clay and rammed earth manifests itself in companies like Terra Firma and the South West Solar Adobe School a school that offers hands-on training on Adobe brick Manufacturing and construction.
Friday, August 12, 2005
Agama Energy is one of the leading companies, in the race to provide green energy solutions in Africa."...Based in Cape Town, South Africa, we reflect on where we - as a nation, a region and a world - have come from and act with intent to move towards a more sustainable use of energy in our world..."
The Agama Energy website also provides valuable information about other trends in Green Energy initiatives in South Africa, as well as DIY solutions on how to make your own solar water heater that you can use in your backyard.
Wednesday, August 10, 2005
"...For well over a decade the Clay House Project has followed a program of patient investment in order to bring the ancient technology of clay construction into the mainstream in Namibia...""...It has been a program composed of many different activities over the years, from demonstration buildings, pilot projects and networking with communities and authorities. A basis of mutual respect and cooperation pave the way for its current endeavor where people in a squatter area learn to build their houses from locally available clay...""...The
EcoSouth Network is a dynamic entity, moving with finesse between the grassroots and e-mail connections. Structure is less important than contacts among people and organizations; in a sense it exists beyond, in spite of, and instead of, structure..."
Tuesday, August 09, 2005
"...African textiles are one of his inspirations. " My mother used to sell handmade cloth and I reflect those patterns in all my buildings." But he does not glorify African traditions. " We try to keep a balance. It's about using what's best in whatever happened before. But never going backwards...""...The ATEPA group , which saw the light of day through the relentless efforts of Pierre GOUDIABY, is also the fruit of his rich and resourceful career. A career which was masterfully piloted by the man designated as the best Senegalese architect of the 20th century..."
Sunday, August 07, 2005
"...The Priory is an architectural landmark, designed and constructed by Demas Nwoko, who is acclaimed far and wide for his artistic and architectural productions..." "....The motifs which Nwoko chooses for his pictures are often taken from the Bible, and his commitment to the Christian religion is also shown by his architecture. In the course of his career he has designed several buildings, mostly for the catholic church, like one of his main works, the Dominican Abbey in Ibadan (1966-70). Here, too, he has been concerned to bring design up to date, trying on the one hand to show traditional roots and on the other hand to show a new identity. For this abbey and the church beside it, Nwoko used burnt tiles and a wedge-shaped almost expressionistic bell-tower rising to a point, and decked the whole with large-scale abstract mosaics in full colour. The result is an architectural masterpiece whose meaning and rank are much more than national..."